​​Finding my "own" art in film took a long time. Searching for my medium, I learned to work silver, iron and wood and now have a Master Artisan degree, with a specialization as Propsmaster. I got a pyrotechnician' s license for theatre and then worked in the fireworks industry for several years, acquiring even one patent for special effects technology.

​

Having additional "crew skills" helps a director immensely: estimating build times or danger zones for effects is a big advantage, and the experience helps to see if contract companies offer good deals. It also helps with building respectfull relationships with the team and makes communications easier and faster.

​

There is an important relaxation aspect too. Working with metal and wood lets my mind rest from the intense mental mostly-on-computer film production work.

​